List of Works (Chronological)
2000–2009 | 1990–1999 | 1980–1989
2010–
New Work (2012 / 12:00) fixed sounds
Commissioned by Miso Music, Lisbon. Will be produced in the Laboratoire de création électroacoustique, Rebelva (Portugal).
New Work (2012 / 12:00) fixed sounds
Commissioned by Musiques & Recherches, Ohain (Belgium). Will be produced in Studios Métamorphoses d’Orphée, Ohain.
New Work (2012 / 12:00) fixed sounds
Commissioned by GRM — Groupe de recherches musicales, Paris. Will be produced at the GRM.
Bol-Hydre (2011 / 10:00)
Commissioned by Productions Totem contemporain (Jean-François Laporte). Produced in the composer’s studio.
Diaprures (2011 / 7:00) fixed sounds
Composed to commemorate the 65th birthday of Belgian composer Annette Vande Gorne. Produced in the composer’s studio.
Sybille (2010 / 15:00) fixed sounds
Produced in the composer’s studio.
Effraction de l’oubli [Bursting into Oblivion] (2010 / 40:00) incidental music for a choreography by Camille Mutel
Commissioned by the state (France) and by Compagnie Li Luo for a “Butoh” dance piece by the French choreographer and dancer Camille Mutel. Produced at the ZKM — Zentrum für Kunst und Medientechnologie, Karlsruhe (Germany), Centre de création TROIS C-L (Luxembourg) and L’Actée Théâtre (France).
2000–2009
Les lointains noirs et rouges (2009 / 10:42) fixed sounds
Commissioned by Folkmar Hein. Produced in the studios of Berlin’s Technical University. Finalist in 2009 in the 36th Concours international de musique Électroacoustique de Bourges (France). Mention in 2011 in the Destellos Competition (Buenos Aires).
Castalie (2008 / 10:34) fixed sounds (32-channel version and stereo version)
Commissioned by the DAAD. Produced in the studios of Berlin’s Technical University. First Prize in the 2009 Black & White Competition, 6th audiovisual festival, Porto (Portugal). Mention in 2009 in the 36th Concours international de musique Électroacoustique de Bourges (France).
Escapade (2008 / 4:34) fixed sounds
Produced in the studios of Berlin’s Technical University. Finalist in 2008 in the 6th Concurso Internacional de Miniaturas Electroacústicas, Huelva (Spain).
Mogidell (2008 / 8:41) fixed sounds
Commissioned by Oscar Wiggli. Produced in the studios of Berlin’s Technical University.
Le miroir triste (2007 / 13:42) fixed sounds (5.1)
Produced at ZKM — Zentrum für Kunst und Medientechnologie, Karlsruhe (Germany).
Entre les deux rives du printemps (2006 / 18:08) fixed sounds (5.1)
Produced at ZKM — Zentrum für Kunst und Medientechnologie, Karlsruhe (Germany). Finalist in 2008 in the 35th Concours international de musique Électroacoustique de Bourges (France). Finalist (miniature version) in 2007 in the 5th Concurso Internacional de Miniaturas Electroacústicas, Huelva (Spain).
Ombres, espaces, silences… (2005 / 23:00) fixed sounds (5.1)
Commissioned by the ZKM — Zentrum für Kunst und Medientechnologie, Karlsruhe (Germany). Produced at the ZKM. Mention d’Honneur in the 2005 Prix Ars Electronica, Linz (Autriche). Finalist in 2005 in the 32nd Concours international de musique Électroacoustique de Bourges (France).
Le contrat (2003 / 66:27) fixed sounds
Commissioned by Jean-François Denis. Collaboration with René Lussier. Produced in the studios of the composers. Finalist in the 2003 Prix Opus, Conseil Québécois de la musique, Disc of the Year, electroacoustic category.
La Perle et l’Oubli (2002 / 21:17) ondes Martenot and fixed sounds
Produced in the composer’s studio.
Éclats de Perle (2002 / 12:40) fixed sounds
Produced in the composer’s studio. Honorable Mention in 2002 in the 2nd Concours de composition acousmatique « Métamorphoses », Brussels (Belgium).
Soledad (2000 / 12:05) for acoustic guitar and fixed sounds
Collaboration with guitarist Arturo Parra. Produced in the composer’s studio. Public Prize in 2001 in the 4th CIMESP — Concurso Internacional de Música Eletroacústica de São Paulo (Brazil). Finalist in 2001 in the concours Musica Nova, Prague (Czech Republic).
1990–1999
Derrière la porte la plus éloignée… (1998 / 12:01) fixed sounds
Commissioned by Arturo Parra. Produced in the composer’s studio. Honorable Mention in 1999 in the 26th Concours international de musique Électroacoustique de Bourges (France).
Point de passage (1997 / 11:46) fixed sounds
Commissioned by ACREQ. Produced in the composer’s studio. Public Prize in 1999 in the 3rd CIMESP — Concurso Internacional de Música Eletroacústica de São Paulo (Brazil). Finalist in 1998 in the 25th Concours international de musique Électroacoustique de Bourges (France).
Nuit cendre (1996 / 12:19) fixed sounds
Commissioned by Code d’accès. Produced in the composer’s studio. First Prize in the 1997 Stockholm Electronics Arts Award, (Sweden). First Prize and Public Prize in 1997 in the 2nd CIMESP — Concurso Internacional de Música Eletroacústica de São Paulo (Brazil).
Projet Proust (1995 / 13:17) fixed sounds
Commissioned by Société Radio-Canada. Produced in the composer’s studio. Mention in 2000 in the 1st Concours de composition acousmatique « Métamorphoses », Brussels (Belgium).
Le Vertige Inconnu (1994 / 8:23) fixed sounds
Commissioned by GMEB — Groupe de Musique Expérimentale de Bourges. Produced in the composer’s studio and at GMEB. Second Prize in 1995 in the Prix Ars Electronica, Linz (Autriche). First Prize in 1994 in the Stockholm Electronics Arts Award, (Sweden).
La Ville Machine (1992 / 14:45) fixed sounds
Commissioned by ACREQ. Produced in the composer’s studio. Finalist for the 1995 Chalmers Prize, electroacoustic composition, Ontario Arts Council. First Prize in 1993, SOCAN Awards for composers over 30.
Nous sommes heureux de… (1992 / 0:57) fixed sounds
Produced in the composer’s studio. Finalist in 1991 in ACREQ’s 2nd international Electroclips competition.
Là où vont les nuages… (1991 / 11:20) ondes Martenot, real-time processing and fixed sounds
Produced in the composer’s studio. Finalist in 1996 in the 23rd Concours international de musique Électroacoustique de Bourges (France).
Associations Libres (1990 / 3:00) electric guitar and fixed sounds
Commissioned by René Lussier. Produced in the composer’s studio. Second Prize in 2002 “The D & AD Silver Award for the most outstanding sound design,” British Design & Art Direction.
1980–1989
Voix Blanche (1989 / 13:02) ondes Martenot and fixed sounds
Commissioned by Suzanne Binet-Audet. Produced in the composer’s studio. Second Prize in 1989 in the 11iéme Concorso Internazionale “Luigi Russolo” di musica elettroacustica, Varese (Italie). Second Prize in 1989 in the 17th Concours international de musique Électroacoustique de Bourges (France).
Rivage (1986 / 8:44) fixed sounds
Réalisée dans les studios de l’université McGill. Second Prize in 1988 in the 10iéme Concorso Internazionale “Luigi Russolo” di musica elettroacustica, Varese (Italie). Mention in 1988 in the 16th Concours international de musique Électroacoustique de Bourges (France). Second Prize in the 1987 International NEWCOMP Computer Music Competition, Cambridge MA (USA).
Traces (1985 / 6:31) fixed sounds
Produced in the studios of Université de Montréal. Second Prize in the 1985 International Tape Music Competition, Brock University, St. Catharines ON (Canada). Honorable Mention in 1987 in the 9th Concorso Internazionale “Luigi Russolo” di musica elettroacustica, Varese (Italie).
Fragments (1984) for oboe, horn, viola, contrabass and percussion
Lacis (1982) for string quartet
Trêve (1981) for twelve instruments